The third event in the Visualizing Abolition series brings together visual and cultural theorists Nicole Fleetwood, Herman Gray and Nicholas Mirzoeff to consider the roles of visual culture in normalizing mass incarceration and the racist brutalities of policing within the social landscape and political vision of America. Questions of visuality and formations moves beyond critiques of film, television, advertisements, and other media to ask how dominant visions of the world—and the visual regimes that regulate what people see and what remains hidden from view—are materialized in the prison industrial complex.